Vectors

Vectors maps the multiple contours of daily life in an unevenly digital era, crystallizing around themes that highlight the social, political, and cultural stakes of our increasingly technologically-mediated existence. As such, the journal speaks both implicitly and explicitly to key debates across varied disciplines, including issues of globalization, mobility, power, and access. Operating at the intersection of culture, creativity, and technology, the journal focuses on the myriad ways technology shapes, transforms, reconfigures, and/or impedes social relations, both in the past and in the present. . . . Utilizing a peer-reviewed format and under the guidance of an international board, Vectors features submissions and specially-commissioned works comprised of moving- and still-images; voice, music, and sound; computational and interactive structures; social software; and much more. . . . we aim to explore the immersive and experiential dimensions of emerging scholarly vernaculars across media platforms. --Vectors, "About"

COPIES IN VECTORS

Viewing 11-20 of 47 Results

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2007

Enfolding and Unfolding: An Aesthetics for the Information Age (v1.0)

Marks, Laura

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2012

Gidget on the Couch (v1.0)

Lunenfeld, Peter

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2005

Hurricane Digital Memory Bank: Preserving the Stories of Katrina, Rita, and Wilma (v1.0)

Roy Rosenzweig Center for History and New Media

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2003

Hypermedia Berlin: Cultural History in the Age of New Media, or "Is There a Text in this Class?" (v1.0)

Presner, Todd

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2004

In The News (v1.0)

Rodenbeck, Eric

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2005

Investigating Imaginary Evidence (v1.0)

Krell, Mary Agnes

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2005

Jenny Holzer at the Neue Nationalgalerie (v1.0)

Fordyce, Ehren

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2007

Killer Entertainments (v1.0)

Terry, Jennifer

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2007

Malperception (v1.0)

Hoffman, Donald

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2006

Mobile Figures (v1.0)

Lloyd, David

Viewing 11-20 of 47 Results