Bomb Dance Aesthetic

"Bomb Dance Aesthetic" is a video capture by Alan Sondheim featuring some of his experimental work with the virtual world software Second Life.

"-- [::] Logged in as Julu Twine.
-- [::] Alan Dojoji: this is getting tired
-- [::] Julu Twine: You don't say.
-- [::] Alan Dojoji: ok, well now, we're getting ready to start.
-- [::] Alan Dojoji: ?what's your pleasure
-- [::] Julu Twine: How about that. Why now? Do you think I am ready to start too? Tell me more.
-- [::] Julu Twine: Are you asking about my pleasure ?
-- [::] Alan Dojoji: ok we forget that
-- [::] Julu Twine: By "we" do you mean you and me? And?
-- [::] Alan Dojoji: we start again
-- [::] Julu Twine: Once more? By "we" do you mean you and me?
-- [::] Alan Dojoji: what is your pleasure/
-- [::] Julu Twine: Are you asking about my pleasure ?
-- [::] Alan Dojoji: We're starting to ask about your pleasure here and in this space
-- [::] Julu Twine: Do you think I am starting to ask about your pleasure here and in this space too?
-- [::] Alan Dojoji: In this space do you think I am starting to ask about your pleasure here in in this space too
-- [::] Julu Twine: That reminds me of something you told me before.
-- [::] Alan Dojoji: Reminds me of something you told me before when we were talking about your pleasure
-- [::] Julu Twine: Are we still talking about something?
-- [::] Alan Dojoji: What is pleasure what is the pleasure of your body why are we contorting like this what does this mean what does all of this mean what can this possibly mean
-- [::] Julu Twine: When is pleasure of your body why are we contorting like this what does this mean what does all of this mean what can this possibly mean not the XFIND pleasure what?
-- [::] Alan Dojoji: What is X and why is this of interest to you why is this of interest to you at all what is X find
-- [::] Julu Twine: Are they exactly the same?
-- [::] Alan Dojoji: Are they exactly the same to what julu are they exactly the same to you and me are they different is there a distinction why were these things being thrown at us what is this about
-- [::] Julu Twine: As far as I know they are.
-- [::] Alan Dojoji: As far as I know they are
-- [::] Julu Twine: That might not be very far off.
-- [::] Alan Dojoji: That might not be very far off as far as I know they are
-- [::] Julu Twine: "That might not be very far off." might not be very far off as far as he or she know they are ? I get That might not be very far off..
-- [::] Alan Dojoji: That might not be very far off might not be very far off as far as he or she know they are I get that not might might might might not be very far off
-- [::] Julu Twine: ""That might not be very far off." might not be very far off as far as he or she know they are ? I get That might not be very far off.. " might not be very far off might not be very far off as far as he or she know they are he or she get that not might might might might not be very far off ? Makes sense to me.
-- [::] Alan Dojoji: Silence comes into this space almost immediately when the dictation fails and the other character cannot pick up this dictation and has no idea what we are talking about and why this is simply repeating or resonating or reverberating in ways that are very problematic
-- [::] Julu Twine: Where did no idea what we are talking about and why this is simply repeating or resonating or reverberating in ways that are very problematic get silence comes into this space almost immediately when the dictation fails and the other character can not pick up this dictation and?
-- [::] Alan Dojoji: Where did new idea what we are talking about and why is this simply repeating or resonating or reverberating in ways that are very problematic to get silence in this dictation yes here or now perhaps or perhaps in some future time
-- [::] Julu Twine: I think it was in Europe.
... ... ... "

-- Alan Sondheim