Subway Woman

Stefans' "Flash Polaroids" "occupy a middle ground between an experimental film/video aesthetic - particularly the works that use the single frame as the unit of composition - and interactive installation video works...The 'Micro-narratives' [including Subway Woman] introduce 'stories' to the Flash Polaroids, especially 'Guy Cat Pan,' which, like a metaphysical painting of De Chirico's, gets its charge by placing disparate, enigmatic objects on the same stage." -- From Turbulence

1 COPY IN THE NEXT

Turbulence

Published in February, 2005 by Turbulence.

This copy was given to the Electronic Literature Lab by Jo-anne Green and Helen Thorington in Spring of 2016. Preserved with Conifer by the Electronic Literature Lab.

PUBLICATION TYPE

Showcase

ORIGINAL URL

https://turbulence.org/project/brian-kin-stefans/