Stefans' Flash Polaroids "occupy a middle ground between an experimental film/video aesthetic - particularly the works that use the single frame as the unit of composition - and interactive installation video works. . . The 'Micro-narratives' [including Subway Woman] introduce 'stories' to the Flash Polaroids, especially Guy Cat Pan, which, like a metaphysical painting of De Chirico's, gets its charge by placing disparate, enigmatic objects on the same stage." -- from Turbulence
1 COPY IN THE NEXT
An unpublished copy.
This copy was given to the Electronic Literature Lab by Jo-Anne Green and Helen Thorington in Spring of 2016.