Patchwork Girl (1995)
The folio and the 3.5-inch floppy disk of Shelley Jackson’s classic hypertext novel published by Eastgate Systems, Inc. and donated to The NEXT by N. Katherine Hayles
View the related work →Beach Ball (circa 2001)
One of the two beach balls Richard Holeton tossed to audiences during performances of his hypertext novel Figurski at Findhorn on Acid to engage them with the work
View the related work →Figurski at Findhorn on Acid
Version 3.3, original version published on CD-ROM by Eastgate Systems, Inc. (2001); held in The N. Katherine Hayles Collection
View the related work →afternoon, a story (1987, 1992)
The folio and 3.5-inch floppy disk of the 1992 Macintosh Edition of Michael Joyce’s famous hypertext novel; also referred to as The Authoritative Edition
View the related work →Eastgate Quarterly Review of Hypertext, Volume 2, Number 2, Winter 1995
The folio and 3.5-inch floppy disk containing two hypertext narratives: Deena Larsen’s Century Cross and Judith Kerman’s Mothering
View the related work →Victory Garden (1991)
The folio and 3.5-inch floppy disk of the rare 1st Edition of Stuart Moulthrop’s hypertext novel published by Eastgate Systems, Inc.
View the related work →Victory Garden (1991, 2002)
The jewel case and CD-ROM of Stuart Moulthrop’s hypertext novel, accessible on both Macintosh and Windows computers; considered to be Version 4.0 of the work
View the related work →The Lady Nii Brooch (2022)
This brooch features the face of Lady Nii, one of the main characters in the 1991 narrative game King of Space, created by Sarah Smith; hand-made by Smith when the novel was reconstructed for the Web
View the related work →Can of Spam “Lite” (circa 2001)
One of three cans of Spam donated to The NEXT by Richard Holeton, who featured the product as one of the three artifacts in his hypertext novel, Figurski at Findhorn on Acid
View the related work →Can of "Smoke" Spam (circa 2001)
One of three cans of Spam donated to The NEXT by Richard Holeton, who featured the product as one of the three artifacts in his hypertext novel, Figurski at Findhorn on Acid
View the related work →CyberMountain Colloquium T-Shirt (1999)
The t-shirt created by artist and event organizer Deena Larsen for event participants, one of the notable gatherings leading to the development of the electronic literature community
Hard Hat (1983)
The hard hat from the costume worn by Rob Wittig during performances of “Invisible Seattle Literary Computer project,” a work developed from an early internet platform, the electronic Bulletin Board System (BBS)
Jumpsuit (1983)
The jumpsuit from the costume worn by Rob Wittig during performances of “Invisible Seattle Literary Computer project,” a work developed from an early internet platform, the electronic Bulletin Board System (BBS)
Shining Flower (1993)
The folio and CD-ROM of Kikuko Iwano’s multimedia, interactive narrative published by the Voyager Company
View the related work →Mask (2020)
A mask hand-made for the electronic literature community members by Anastasia Salter at the beginning of the COVID pandemic; mailed to participants for the 2020 conference that she co-chaired by John Murray
Chercher le Texte Card
Placeholder description for this item.
Pinwheel (circa late 1990s)
This pinwheel, hand-made by artist Deena Larsen and envisioned as a poetry generator, was used by the artist to teach readers about hypertextual writing; lines of the poem are read on the spinning blades
View the related collection →Notebook
Placeholder description for this item.
bleuOrange Mug
bleuOrange, the influential journal sponsored by le Laboratoire NT2 et Figura à L'Université du Québec à Montréal (UQAM), sent this cup and card to ELO as a gift in 2021 when ELO hosted its archives in The NEXT.
View the related collection →Conference Badge Holder (2018)
The badge holder given to participants of the Electronic Literature Organization’s 2018 Conference held in Montréal, Canada and chaired by prominent Canadian artist and scholar Bertrand Gervais
Uncle Buddy’s Phantom Funhouse (1992-3)
The box and contents of John McDaid’s hypermedia novel, referred to as “the chocolate box of death” for the color as well as conceit of the novel about the disappearance of the titular character
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