TY - ART
TI - Selections from "Muscle and Blood Piano"
AU - Barbara Lattanzi
AB - "Sampling the classic horror movie, 'Nosferatu' by F.W. Murnau (1922), the selected shockwave applets test one model of interactivity in which the interpretive process of cinematic editing is meant to coincide with the time of viewing. At a central moment of 'Nosferatu,' a threshold is crossed, into the 'land of phantoms'. That threshold of horror mirrors the idea of the computer interface itself. Thus, the interactive setting for 'Nosferatu' invokes a problematic, unsettling metaphor for the interface – both cybernetic and social." -- From <em>Turbulence</em>
C3 - Web
PY - 2003
LA - English
M3 - Interactive, Multimedia, Film, Remix
UR - https://the-next.eliterature.org/works/1378/0/0/
DB - The NEXT
Y2 - 2025-04-19
ER -